• LITR 1230E | Form and Theory of Fiction
• LITR 1230J | Writing: Material Differences
• LITR 1231E | Rereading Writing

• AMCV 1903P | Please Please Me

• COLT 0810T | Oedipus in Theory and Literature
• COLT 1210 | Introduction to the Theory of Literature
• COLT 1421C | Subaltern Studies
• COLT 1422P | Time for the Novel
• COLT 1610B | Irony
• COLT 1610S | Theory of the Novel
• COLT 1610Y | Of Friends and Enemies
• COLT 1810G | Fiction and History
• COLT 1810N | Freud: Writer and Reader
• COLT 1810P | Literature and Medicine
• COLT 1811E | Sentimentalism: Fiction/Film/Theory
• COLT 1811X | Marx and his Critics
• COLT 1812J | Poetry and Ethics
• COLT 1814T | Maghrebi Fiction and Psychoanalysis
• COLT 1814U | Politics of Reading
• COLT 1814W | Repetition: Kierkegaard, Nietzche and Freud
• COLT 1815F | Memory, Commemoration, Testimony
• COLT 2520F | Theories of the Lyric
• COLT 2650M | Literary Theory
• COLT 2650R | The New Foucault: Between Antiquity and Neoliberalism
• COLT 2650T | Foundations of Literary Theory

• ENGL 0150W | Literature and the Visual Arts
• ENGL 0410J | Literature of Identity
• ENGL 0600 | The Work of Mourning
• ENGL 0700E | Postcolonial Literature
• ENGL 0700P | Reading Practices: An Introduction to Literary Theory
• ENGL 0710L | Ishiguro, Amongst Others
• ENGL 0710R | Poetry and Science
• ENGL 0710W | Readings in Black and Queer
• ENGL 0800D | The Dead and the Living
• ENGL 0800I | Global South Asia
• ENGL 0800S | Blackness in Critical Thought
• ENGL 1140A | Intellectual Pleasures
• ENGL 1140B | The Literary Scholar
• ENGL 1190A | The Arrangement of Words
• ENGL 1190J | Narrative Poetics
• ENGL 1190S | Poetics of Narrative
• ENGL 1190Z | The Art of Craft
• ENGL 1210 | History of the English Language
• ENGL 1310H | Origins of American Literature
• ENGL 1511I | Culture and Anarchy
• ENGL 1311K | Hamlet in Theory
• ENGL 1361N | Evil Plays: Shakespeare and Contemporaries
• ENGL 1511A | American Literature of the Civil War
• ENGL 1511L | On Being Bored
• ENGL 1511Y | Emily Dickinson and the Theory of Lyric Form
• ENGL 1560Q | The Poetry of Politics
• ENGL 1560R | From Frankenstein to Einstein
• ENGL 1560W | Getting Emotional: Passionate Theories
• ENGL 1560Y | The Ethics of Romanticism
• ENGL 1561D | Writing and the Ruins of Empire
• ENGL 1561H | The Brain and the Book
• ENGL 1561W | On Being Bored
• ENGL 1710U | What Was Postmodern Literature
• ENGL 1710M | Nationalizing Narratives
• ENGL 1711J | Act for an Undivided Earth
• ENGL 1711K | The Politics of Perspective: Post-War British Fiction
• ENGL 1711P | We have not yet heard enough, if anything, about the female gaze: Contemporary Writing Not by Men
• ENGL 1711R | Kazuo Ishiguro
• ENGL 1760C, Body and Event in Contemporary Fiction
• ENGL 1760I | Terrible Beauty: Literature and the Terrorist Imaginary
• ENGL 1760M | The Miracle of Cinema
• ENGL 1760T | Literary Africa
• ENGL 1760V | Lying Cheating Stealing
• ENGL 1760X | The Men’s Film, c. 2011
• ENGL 1761D | Hollywood and American Modernism from FDR to JFK
• ENGL 1761N | Natural and Supernatural
• ENGL 1761Q | WG Sebald and Some Interlocutors
• ENGL 1761Y | Issues in World Literature
• ENGL 1762A | Perverse Cinema
• ENGL 1762D | Kubrick
• ENGL 1762E | Invisibility and Impersonality in Modern American Fiction
• ENGL 1900A | Literature and the Ideology of the Aesthetic
• ENGL 1900D | Literature and Politics
• ENGL 1900E | Aesthetics and Politics
• ENGL 1900F | Interpretation
• ENGL 1900G | Literature and Structure of English
• ENGL 1900I | Critical Methodologies
• ENGL 1900J | Fanon and Spillers
• ENGL 1900K | Reading Sex
• ENGL 1900J | Zooepoetics
• ENGL 1900P | History of Criticism from Plato to Postmodernism
• ENGL 1900R | Queer Relations: Aesthetics and Sexuality
• ENGL 1900S | Realism and the Realistic
• ENGL 1900T | The Postcolonial and the Postmodern
• ENGL 1900Y | Medieval Manuscript Studies
• ENGL 1900Z | Neuroaesthetics and Reading
• ENGL 1901B | Politics and the Novel
• ENGL 1901E | Literature and Digital Humanities
• ENGL 1901F | Art of Criticism
• ENGL 1901G | Tiny Politics
• ENGL 1901J | Cronenberg
• ENGL 1901M | Reading Literature in an Information Age
• ENGL 1901N | The Sublime
• ENGL 1901P | Waves and Edges: Poetry and the Sea
• ENGL 1950E | Reading Narrative Theory
• ENGL 1950F | Law and Literature
• ENGL 1950H | The Recent Novel and its Cultural Rivals
• ENGL 1950J | Reading Literature in a Digital World
• ENGL 1950L | Inoperative Selves
• ENGL 2560K | Postcolonial Theory and Africanist Discourse
• LITR 2560O | Victorian Poetry and Visual Arts
• ENGL 2560Z | Global Early American Literature
• ENGL 2561S | Corporate Aesthetics
• ENGL 2561T | Rhetoric and Narrative Discourse, from Austen to James
• ENGL 2561V | The Pursuit of Happiness
• ENGL 2760M | Postcoloniality and Globalism
• ENGL 2760X | After Postmodernism: New Fictional Modes
• ENGL 2760Y | American Orientalism and Asian American Literary Criticism
• ENGL 2761C | Black Internationalism and its Discontents
• ENGL 2761N | Theories of Affect: Poetics of Expression
• ENGL 2716R | Metaphor/Matter/Time
• ENGL 2761U | Comedy and Justice
• ENGL 2761W | The Sublime
• ENGL 2900E | Deleuze: Literature and Aesthetics
• ENGL 2900F | Form and Content
• ENGL 2900G | History and Form
• ENGL 2900H | Queer Passivity
• ENGL 2900K | Nietzsche Foucault Latour
• ENGL 2900N | Ethical Turns in Psychoanalysis and Literature
• ENGL 2900O | Narrative Theory
• ENGL 2900X | Postcolonial Theory
• ENGL 2901G | Ultimate Dialogicality: Thinking with Bakhtin
• ENGL 2901H | Genres of Critique
• ENGL 2901J | Classical and Post-Classical Narratology
• ENGL 2901K | Theory, Technics, Religion
• ENGL 2901L | Studying Humanities in an Information Age
•  ENGL 2901M/HUMAn 2401A | Bakhtin and the Political Present
• ENGL 2901N/RELS 2110C | Suspicion and its Others
• ENGL 2901R | Technologies of Memory

• ETHN 1890E | Johnny Are You Queer?

• GNSS 0120 | Introduction to Gender and Sexuality Studies
• GNSS 1960D | Feminist Theory/Feminist Activism
• GNSS 2020H | Research Seminar in Feminist Theory

• GRMN 1200D | Repetition: Kierkegaard, Nietzche, Freud
• GRMN 1320I | What is an Image?
• GRMN 1340M | Kafka's Writing
• GRMN 1661C | Troubled Origins: Accounting for Oneself
• GRMN 2661O | Heidegger and the Arts

HMAN 1972X | Kubrick’s Work

• MCM 0110 | Introduction to Theory and Analysis
• MCM 0150 | Text/Media/Culture
• MCM 0220 | Print Cultures: Textuality and the History of Books
• MCM 0230 | Digital Media
• MCM 0240 | Television Studies
• MCM 0260 | Cinematic Coding and Narrativity
• MCM 0730B | TV or Not TV
• MCM 0750C | Subtle Machines
• MCM 0800L | I Don’t Even Know Why They Call it Color TV
• MCM 0900N | Body/Gesture/Cinema
• MCM 0900T | Public Cinema
• MCM 900U | Face-to-Face: The Filmed Interview
• MCM 0900V | Interpretation as Detection
• MCM 0900W | Media and/as Ethnographies
• NCN 0901Q | Governing Sex
• MCM 0901S | Mediating Representation
• MCM 0901W | The Space Within
• MCM 0902C | Digital Media in the Time of Ecological Crisis
• MCM 0902G | Visual Cultures of Repair and Resistance
• MCM 0902E | In Design: Layouts of Modern Media and Design
• MCM 0902F | Post Cinema? Histories and Politics in the Digital Revolution
• MCM 0902H | Cinema and Revolution
• MCM 0902I | Never Work! History, theory and media of work and its refusal
• MCM 0991O | Reinvention of Life
• MCM 0991X | Digital Cinema and the Inhuman
• MCM 0991Y | Puzzle Films
• MCM 1110 | Theory of Sign
• MCM 1200G | Cinema and Stardom
• MCM 1203F | The Aesthetics of Political Cinema
• MCM 1203J | Anime Studies
• MCM 1204D | Politics of Chinese Cinemas
• MCM 1205A | What We Talk About When We Talk About Horror
• MCM 1205R | Film-Noir and the Post-War City
• MCM 1230K | Sharing
• MCM 1230L | Media and Everyday Life in Japan
• MCM 1500D | Contemporary Film Theory
• MCM 1500O | From Classical Film Theory to Cinema Semiotics
• MCM 1501I | Reading Marx
• MCM 1502H | Information, Discourse, Networks
• MCM 1502U | Media and Memory
• MCM 1503F | Aesthetic Theory/Cultural Studies
• MCM 1504C | Greek Tragedy in Politics
• MCM 1504D | Sex, Difference and Relation
• MCM 1504Z | Civil Disobedience
• MCM 1505A | Television Realities
• MCM 1505B | Hitchcock: The Theory
• MCM 1505P | Channeling Race: Television and Race in America
• MCM 1505S | Cinema and Imperialism
• MCM 1505Z | Kiarostami: Questions of Cinema + Reality
• MCM 1510O | Television, Gender, Sexuality
• MCM 1700B | Approaches to Narrative
• MCM 1700F | Theory for Practice/Practice as Theory
• MCM 1700Z | What is Happening in Narrative
• MCM 1701E | Experimental Narrative
• MCM 1701J | Data Visceralization and Climate Change
• MCM 2100 |  Sex. What is it? Why does it matter?
• MCM 2110Y | The Literary Fact and the Work of Critique
• MCM 2120H | Object of (and in) Animation
• MCM 2120L | Aesthetics, Politics and Medium(s) in Contemporary Film Theory
• MCM 2310H | Television Realities
• MCM 2310M | Politics and Literature

• TAPS 1230 | Performance Theory: Ritual, Play and Drama
• TAPS 1280Y | Issues in Performance Studies
• TAPS 1380 | Mise en Scene
• TAPS 1425 | Queer Performance
• TAPS 1630 | Performativity and the Body
• TAPS 2200 | Subjects and Objects